Selected Articles

kristina-tamasauskaite-787899-unsplashAdams, James Eli. ‘Gentleman, Dandy, Priest: Manliness and Social Authority in Pater’s Aestheticism’. ELH 59.2 (1992): 441-466.

Albrecht, Thomas. ‘The Queer Poetics of Pater’s “Leonardo da Vinci”‘. Pater Newsletter 52 (2007): 52-63.

Andrews, Kit. ‘The Figure of Watteau in Walter Pater’s “Prince of Court Painters” and Michael Field’s Sight and Song53.4 (2010): 451-484.

Andrews, Kit. ‘Walter Pater as Oxford Hegelian: Plato and Platonism and T.H. Green’s “Prolegomena to Ethics”‘. Journal of the History of Ideas 72.3 (2011): 437-459.

Ascari, Maurizio. ‘The Mask Without the Face: Walter Pater’s Imaginary Portraits‘. Textus: English Studies in Italy 12.1 (1999): 97-112.

Ayres, Olivia C. ‘Marius the Epicurean: The Dialectic as the Mimetic Form of Truth’. SEL 18.4 (1978): 693-702.

Bann, Stephen. ‘Walter Pater to Adrian Stokes: Psychoanalysis and Humanism’. Comparative Criticism 23 (2001): 201-210.

Barolsky, Paul. ‘Walter Pater and Bernard Berenson’. The New Criterion 2.8 (1984): 47-57.

Barolsky, Paul. ‘Pater’s Noble Vision’. The Pre-Raphaelite Review 32.2 (1983): 9-18.

Barolsky, Paul. ‘Walter Pater and the Poetry of Nothingness’. The Antioch Review 40.4 (1982): 469-478.

Barolsky, Paul. ‘Walter Pater’s Renaissance’. Virginia Quarterly Review 58.2 (1982): 208-220.

Bassett, Sharon. ‘Marius and the Varieties of Stoic Will: “Can the Will Itself Be an Organ of Knowledge, of Vision?”‘ English Literature in Transition 1880-1920 27.1 (1984): 52-62.

Bassett, Sharon. ‘The Uncanny Critic of Brasenose: Walter Pater and Modernisms’. Victorian Newsletter 58 (1980): 10-14.

Bassett, Sharon. ‘Wordsworth, Pater, and the “Anima Mundi”: Towards a Critique of Romanticism’. Criticism 17 (1975): 262-275.

Bassett, Sharon. ‘Pater and Freud on Leonardo da Vinci: Two Views of the Hero of Art’. Literature and Psychology 23 (1973): 21-26.

Bate, Jonathan. ‘Shakespeare in the Twilight of Romanticism: Wagner, Swinburne, Pater’. Shakespeare Jahrbuch 146 (2010): 11-25.

Bauer, Heike. ‘The Idea of Development: Decadence, Aestheticism, and Sexual Identity in Pater’s Marius the Epicurean (1885)’. Australasian Victorian Studies Journal 9 (2003): 1-15.

Beare, Zachary. ‘Michael Field’s Renaissance: An Examination of Paterian Influence, Gender Play, and the Use of the Ekphrastic Form in Sight and Song‘. Pater Newsletter 55/56 (2009): 12-21.

Beaumont, Matthew. ‘Pater as Psychagogue: Psychology, Aesthetics, Rhetoric’. 19: Interdisciplinary Studies in the Long Nineteenth Century 12 (2011).

Becker-Leckrone, Megan. ‘Wilde and Pater’s Strange Appreciations’. Victoriographies 1 (2011): 93-126.

Becker-Leckrone, Megan. ‘Same-Sex and the Second Sex in “Style”‘. Pater Newsletter 52 (2007): 37-44.

Behlman, Lee. ‘Burning, Burial, and the Critique of Stoicism in Pater’s Marius the Epicurean‘. Nineteenth-Century Prose 31.1 (2004): 133-69.

Bellringer, Alan W. ‘The “Conclusion” to the Renaissance: Pater’s Original Meaning’. Prose Studies 1.1 (1977): 45-54.

Bizot, Richard. ‘Pater and Yeats’. ELH 43.3 (1976): 389-412.

Bizot, Richard. ‘Pater in Transition’. Philological Quarterly 52 (1973): 129-141.

Bizot, Richard. ‘Pater’s “Child in the House” in Perspective’. Papers on Language and Literature 8 (1972): 79-85.

Bizup, Joseph. ‘Walter Pater and the Ruskinian Gentleman’. English Literature in Transition 1880-1920 38.1 (1995): 51-69.

Bizzotto, Elisa. ‘Riflessi dell’estetismo e suggestioni pateriane nell’opera di                   Pascoli’. Strumenti Critici 20.3 (2005): 1-23.

Bizzotto, Elisa. ‘Madri e amanti: Le figure femminili negli Imaginary Portraits di Pater’. Lettore di Provincia 29.103 (1998): 37-44.

Blinderman, Charles S. ‘Huxley, Pater, and Protoplasm’. Journal of the History of Ideas 43.3 (1982): 477-486.

Bloom, Harold. ‘Walter Pater: The Intoxication of Belatedness’. Yale French Studies 50 (1974): 163-189.

Bowra, C. M. ‘Walter Pater’. Sewanee Review 57.3 (1949): 378-400.

Brake, Laurel. ‘Pater the Journalist: Essays from the Guardian’. English Literature in Transition 1880-1920 56.4 (2013): 483-496.

Brake, Laurel. ‘The Politics of Illustration: Ruskin, Pater, and the Victorian Art Press’. Interfaces: Image Texte Language 15 (1999): 169-188.

Brake, Laurel. ‘Doing Time’. Nineteenth Century Prose 24.2 (1997).

Brake, Laurel. ‘Judas and the Widow: Thomas Wright and A. C. Benson as Biographers of Pater: The Widow’. Prose Studies 4.1 (1981): 39-54.

Brake, Laurel. ‘A Commentary on “Arezzo”: An Unpublished Manuscript By Walter Pater’. Review of English Studies 27 (1976): 263-276.

Brake, Laurel. ‘Problems in Victorian Biography: The DNB and the DNB   “Walter Pater”‘. Modern Language Review 70 (1975): 731-742.

Brzenk, Eugene J. ‘Pater and Apuleius’. Comparative Literature 10.1 (1958): 55-60.

Brzenk, Eugene J. ‘The Unique Fictional World of Walter Pater’. Nineteenth Century Fiction 13.3 (1958): 217-226.

Buckler, William E. ‘Marius the Epicurean: Beyond Victorianism’. Victorian Poetry 16.1/2 (1978): 147-166.

Buckler, William E. ‘The Poetics of Pater’s Prose: “The Child in the House”‘. Victorian Poetry 23.3 (1985): 281-288.

Bucknell, Brad. ‘Re-reading Pater: The Musical Aesthetics of Temporality’. Modern Fiction Studies 38.3 (1992): 597-614.

Bullen, J. B. ‘Pater and Contemporary Visual Art’. Cahiers Victoriens et Edouardiens 68 (2008): 87-102.

Bullen, J. B. ‘Pater, Mill, Mansel, and the Context of the Conclusion to The Renaissance’. Nineteenth Century Contexts 21.1 (1999): 1-15.

Bullen, J. B. ‘Pater and Ruskin on Michelangelo: Two Contrasting Views’. Prose Studies 4.1 (1981): 55-73.

Bullen, J. B. ‘Walter Pater’s Renaissance and Leonardo da Vinci’s Reputation in the Nineteenth Century’. Modern Language Review 74 (1979): 268-280.

Bullock, Phillip Ross. ‘The Cruel Art of Beauty: Walter Pater and the Uncanny Aestheticism of Isaak Babel’s “The Red Cavalry”‘. Modern Language    Review 104.2 (2009): 499-529.

Bump, Jerome. ‘Seeing and Hearing in Marius the Epicurean‘. Nineteenth-Century Fiction 37.2 (1982): 188-206.

Carrier, David. ‘Walter Pater’s Winckelmann’. Journal of Aesthetic Education 35.1 (2001): 99-109.

Carrier, David. ‘Baudelaire, Pater, and the Origins of Modernism’. Comparative Criticism 17 (1995): 109-122.

Carroll, Joseph. ‘Pater’s Figures of Perplexity’. Modern Language Quarterly 52.3 (1991): 319-340.

Child, Ruth C. ‘Is Walter Pater an Impressionistic Critic?’. PMLA 53.4 (1938): 1172-1185.

Choe, Wolhee. ‘Walter Pater’s ‘Romantic Morality’. Victorian Newsletter 72 (1987): 12-17.

Clausson, Nils. ‘”Culture and Corruption”: Paterian Self-Development versus Gothic Degeneration in Oscar Wilde’s Picture of Dorian Gray‘. Papers on Language and Literature 39.4 (2003): 339-364.

Clements, Elicia. ‘Oscar Wilde’s Music: A Critical Response to Pater’. Pater Newsletter 59/60 (2011): 4-16.

Clements, Patricia. ‘”Strange Flowers”: Some Notes on the Baudelaire of Swinburne and Pater’. The Modern Language Review 76.1 (1981): 20-30.

Coates, Christopher. ‘Exhumation and Anachronism: Walter Pater and Nineteenth-Century Historicism’. VIJ: Victorians Institute Journal 22 (1994): 99-113.

Coates, John. ‘Marius’s “Grammar of Assent”: Pater’s Dialogue with Newman’. Cahiers Victoriens et Edouardiens 68 (2008): 181-203.

Coates, John. ‘Ruskin and Pater on Michelangelo: A Turning Point in Criticism’. Pater Newsletter 54 (2008): 8-27.

Coates, John. ‘The Hidden Laughter of Women: An Aspect of Pater’s Sensibility’. Nineteenth-Century Prose 33.1 (2006): 166-95.

Coates, John. ‘Controversial Aspects of Pater’s “Style”‘. Papers on Language and Literature 40.4 (2004): 384-411.

Coates, John. ‘Pater’s Apologia: “The Child in the House”‘. Essays in Criticism 54.2 (2004): 144-164.

Coates, John. ‘Pater as Polemicist in “Prosper Mérimée’. Modern Language Review 99.1 (2004): 1-16.

Coates, John. ‘Renan and Pater’s Marius the Epicurean‘. Comparative Literature Studies 37.4 (2000): 402-423.

Coates, John. ‘Variations on the Oxford Temper: Swinburne, Pater, and Botticelli’. English Literature in Transition 1880-1920 40.3 (1997): 260-274.

Conlon, John. ‘Walter Pater and Zola’s Literary Reputation in England’. English Literature in Transition 1880-1920 19.4 (1976): 306-312.

Connor, Steven. ‘Myth as Multiplicity in Walter Pater’s Greek Studies and “Denys l’Auxerrois”‘. Review of English Studies 34.133 (1983): 28-42.

Coste, Bénédicte. ‘Two Unpublished Letters from Walter Pater to Paul Bourget’. Pater Newsletter 61/62 (2012): 4-20.

Coste, Bénédicte. ’”D’une correction impeccable, froidement impersonnel”: Pater lecteur de Mérimée’. Cahiers Mérimée 1 (2009): 121-146.

Coste, Bénédicte. ‘Pater: De la décadence à l’euphuisme’. Cahiers Victoriens et Edouardiens 68 (2008): 205-227.

Court, Franklin E. ‘The Critical Reception of Pater’s Marius‘. English Literature in Transition 1880-1920 27.2 (1984): 124-139.

Court, Franklin E. ‘”Virtue Sought As a Hunter His Substance”: Pater’s “Amoral Aesthetic”‘. ELH 40.40 (1973): 549-563.

Court, Franklin E. ‘Pater and the Subject of Duality’. English Literature in Transition 15 (1972): 21-35.

Court, Franklin E. ‘Change and Suffering in Pater’s Fictional Heroes‘. Modern Fiction Studies 13 (1967): 443-453.

Currie, Robert. ‘Pater’s Rational Cosmos’. Philological Quarterly 59.1 (1980): 95-104.

Dahl, Curtis. ‘Pater’s Marius and Historical Novels on Early Christian Times’. Nineteenth Century Fiction 28.1 (1973): 1-24.

Daley, Kenneth. ‘Pater’s Books and the Collected Works Digital Archive’. Pater              Newsletter 61/62 (2012): 43-56.

Daruwala, Maneck Homi. “‘The discerning flame’: Of Pater and the Renaissance’. VIJ: Victorians Institute Journal 16 (1988): 85-127.

Davis, Michael. ‘The Sexual Position of Walter Pater’. Pater Newsletter 52 (2007): 45-51.

Dawson, Gowan. ‘Walter Pater’s Marius the Epicurean and the Discourse of Science in Macmillan’s Magazine: “A Creature of the Nineteenth Century”‘. English Literature in Transition 1880-1920 48.1 (2005): 38-54.

Dawson, Gowan. ‘Intrinsic Earthliness: Science, Materialism, and the Fleshly School of Poetry’. Victorian Poetry 41.1 (2003): 113-129.

DeLaura, David J. ‘Romola and the Origin of the Paterian View of Life’. Nineteenth Century Fiction 21.3 (1966): 225-233.

DeLaura, David J. ‘The “Wordsworth” of Pater and Arnold: “The Supreme, Artistic View of Life”‘. SEL 6.4 (1966): 651-667.

DeLaura, David J. ‘Pater and Eliot: The Origin of the “Objective Correlative”‘. Modern Language Quarterly 26 (1965): 426-431.

Dellamora, Richard. ‘The Androgynous Body in Pater’s “Winckelman”‘. Browning Institute Studies 11 (1983): 51-68.

Dellamora, Richard. ‘Pater’s Modernism: The Leonardo Essay’. University of Toronto Quarterly 47 (1977/1978): 135-150.

Denisoff, Dennis. ‘The Dissipating Nature of Decadent Paganism from Pater to Yeats’. Modernism/Modernity 15.3 (2008): 431-446.

Denisoff, Dennis. ‘Walter Pater and the Queer Sympathies of Today’s Paganism’. Pater Newsletter 52 (2007): 31-36.

Donoghue, Denis. ‘The Antinomian Pater: 1894-1994’. Comparative Criticism 17 (1995): 3-20.

Dowling, Linda. ‘Ruskin’s Pied Beauty and the Constitution of a “Homosexual Code”‘. Victorian Newsletter 75 (1989): 1-8.

Dowling, Linda. ‘Walter Pater and Archaeology: The Reconciliation with Earth’. Victorian Studies 2.31 (1988): 209-231.

Dowling, Linda. ‘Pater, Moore, and the Fatal Book’. Prose Studies 7.2 (1984): 168-178.

Duffey, Bernard. ‘The Religion of Pater’s Marius‘. Texas Studies in Literature and Language 2 (1960): 103-114.

Eastham, Andrew. ‘Walter Pater’s Acoustic Space: “The School of Giorgione”, Dionysian Anders-streben, and the Politics of Soundscape’. Yearbook of English Studies 40.1/2 (2010): 196-216.

Eastham, Andrew. ‘The Aesthetic Afterlives of Mr. W. P.: Reanimating Pater in Twenty-First Century Fiction’. Lit: Literature Interpretation Theory 20.1/2 (2009): 158-172.

Edwards, Hilary. ‘A Hard, Gem-Like Syntax: Pater, Wittgenstein, and the Life of Sentences’. Pater Newsletter 57/58 (2010): 4-13.

Evangelista, Stefano. ‘Walter Pater Unmasked: Impressionistic Criticism and the Gender of Aesthetic Writing’. Literature Compass 1.1 (2005).

Evangelista, Stefano. ‘”Lovers and Philosophers in One”: Aesthetic Platonism in the Victorian Fin de Siècle’. Yearbook of English Studies 36 (2006): 230-44.

Evangelista, Stefano. ‘Walter Pater: The Queer Reception’. Pater Newsletter 52 (2007): 19-24.

Evangelista, Stefano. ‘A Revolting Mistake: Walter Pater’s Iconography of Dionysus’. Victorian Review 34.2 (2008): 200-218.

Fasley, Elizabeth Ann. ‘Special Collections Report: The Pater Manuscripts at Houghton, Harvard University’. English Literature in Transition 1880-1920 27.2 (1984): 152-155.

Fontana, Ernest. ‘Dante, Pater’s Marius the Epicurean, and Gaston de Latour‘. Victorian Newsletter 92 (1997): 28-31.

Frazier, Sloane. ‘Two Pagan Studies: Pater’s “Denys l’Auxerrois” and “Apollo in Picady”‘. Folklore 81 (1970): 280-285.

Friedman, Dustin. ‘Paterian Cosmopolitanism: Euphuism, Negativity, and Genre in Marius the Epicurean‘. Pater Newsletter 55/56 (2009): 31-49.

Gagnier, Regenia. ‘The Law of Progress and the Ironies of Individualism in the Nineteenth Century’. New Literary History 31.2 (2000): 315-336.

Gillard-Estrada, Anne-Florence. ‘”Passing into the Great Romantic Loves of Rebellious Flesh”: Medieval Religion and the Body in Walter Pater’s “Poems By William Morris” and “Two Early French Stories”‘. Etudes Anglaises: Grande-Bretagne, États-Unis 62.1 (2009): 16-27.

Gillard-Estrada, Anne-Florence. ‘The Resurrected Youth and the Sorrowing Mother: Walter Pater’s Uses of the Myths of Dionysus and Demeter’. Cahiers Victoriens et Edouardiens 68 (2008): 155-180.

Gillard-Estrada, Anne-Florence. ‘Les Dialogues de Walter Pater avec Platon le philosophe et l’amourex’. Cahiers Victoriens et Edouardiens 63 (2006): 387-402.

Gillard-Estrada, Anne-Florence. ‘Walter Pater et le paradoxe de l’idéal grec incarné par la sculpture’. Cahiers Victoriens et Edourdaiens 59 (2004): 269-281.

Goff, Penrith. ‘Hugo von Hofmannsthal and Walter Pater’. Comparative Literature Studies 7 (1970): 1-11.

Gordon, Jan. ‘Pater’s Gioconda Smile: A Reading of “Emerald Uthwart”’. Studies in Short Fiction 6 (1969): 136-143.

Hafley, James. ‘Walter Pater’s Marius and the Technique of Modern Fiction’. Modern Fiction Studies 3 (1957): 99-109.

Hanson, Ellis. ‘The Languorous Critic’. New Literary History 43 (2012): 547- 564.

Harris, Wendell V. ‘Ruskin and Pater: Hebrew and Hellene Explore the Renaissance’. CLIO 17.2 (1988): 173-185.

Harris, Wendell V. ‘Arnold, Pater, Wilde, and the Object as In Themselves They See It’. SEL 11.4 (1971): 733-747.

Harris, Wendell V. ‘Pater as Prophet’. Criticism: A Quarterly for Literature and the Arts 6 (1964): 349-360.

Harrison, John Smith. ‘Pater, Heine, and the Old Gods of Greece’. PMLA 39.3 (1924): 655-686.

Heffernan, James A. ‘Centripetal Vision in Pater’s Marius‘. Victorian Newsletter 35 (1969): 13-17.

Herzog, Patricia. ‘The Condition to Which All Art Aspires: Reflections on Pater and Music’. British Journal of Aesthetics 36.2 (1996): 122-134.

Hext, Kate. ‘”Of Things Sweet to Touch”: Walter Pater and the Tyrannies of Sensation’. Journal of Pre-Raphaelite Studies 19 (2010): 55-67.

Hext, Kate. ‘Recent Scholarship on Walter Pater: “Antithetical Scholar of Understanding’s End”‘. Literature Compass 5.2 (2008): 407-423.

Higgins, Lesley. ‘The “Sensuous Side” of Decadent Style: Pater and Hopkins’. Journal of Pre-Raphaelite Studies 21 (2012): 72-93.

Higgins, Lesley. ‘Pater and the “Laws” of Victorian Iconography’. Journal of Pre-Raphaelite Studies 19 (2010): 66-82.

Higgins, Lesley. ‘Walter Pater: Painting in the Nineteenth Century’. English Literature in Transition 1880-1920 50.4 (2007): 415-453.

Higgins, Lesley. ‘But who is “she”? Forms of Subjectivity in Walter Pater’s Writings’. Nineteenth Century Prose 24.2 (1997).

Higgins, Lesley. ‘Jowett and Pater: Trafficking in Platonic Wares’. Victorian Studies 37.1 (1993): 43-72.

Hill, Donald L. ‘Pater’s Debt to Romola‘. Nineteenth Century Fiction 22.4 (1968): 361-377.

Hughes, Daniel. ‘Marius and the Diaphane’. Novel: A Forum on Fiction 9.1 (1975): 55-65.

Huppé, Bernard F. ‘Walter Pater on Plato’s Aesthetics’. Modern Language Quarterly 9 (1948): 315-321.

Inman, Billie Andrew. ‘How Walter Pater Might Have Countered Charges That He Misused Sources: A Dialogue Between a Graduate Student Walter Pater and Professor Samantha Marks at Great State University, U. S. A. in 2003, with an Addendum’. Nineteenth Century Prose 35.2 (2008): 163-182.

Inman, Billie Andrew. ‘A Genealogical Update on Walter Pater’s Grandparents and their Family, Including a “New” Son’. Pater Newsletter 50 (2005): 17-25.

Inman, Billie Andrew. ‘John “Dorian” Gray and the Theme of Subservient Love in Pater’s Works of the 1890s’. Comparative Criticism 17 (1995): 85-108.

Inman, Billie Andrew. ‘Pater’s Letters at the Pierpont Morgan Library’. English Literature in Transition 1880-1920 34.4 (1991): 407-417.

Inman, Billie Andrew. ‘The Emergence of Pater’s Marius Mentality: 1874-1875′. English Literature in Transition 1880-1920 27.2 (1984): 100-123.

Inman, Billie Andrew. ‘The Intellectual Context of Walter Pater’s “Conclusion”‘. Prose Studies 4.1 (1981): 12-30.

Inman, Billie Andrew. ‘”Sebastian van Storck: Pater’s Exploration into Nihilism’. Nineteenth-Century Fiction 30.4 (1976): 457-476.

Inman, Billie Andrew. ‘Pater’s Conception of the Renaissance: From Sources to Personal Ideal’. Victorian Newsletter 47 (1975): 19-24.

Inman, Billie Andrew. ‘Pater’s Appeal to His Readers: A Study of Two of Pater’s Prose Styles’. Texas Studies in Literature and Language 14 (1973): 643-666.

Inman, Billie Andrew. ‘The Organic Structure of Marius the Epicurean‘. Philological Quarterly 41 (1962): 475-491.

Iser, Wolfgang. ‘Enfoldings in Paterian Discourse: Modes of Translatability’. Comparative Criticism 17 (1995): 41-60.

Jackson, Noel B. ‘Rethinking the Cultural Divide: Walter Pater, Wilkie Collins, and the Legacies of Wordsworthian Aesthetics’. Modern Philology 102.2 (2004): 207-34.

Johnson, Patricia E. ‘The Image of the House in Walter Pater’s ‘The Child in the House”. Cahiers Victoriens et Edouardiens 21 (1985): 3-11.

Johnson, R. V. ‘Pater and the Victorian Anti-Romantics’. Essays in Criticism 4.1 (1954): 42-57.

Jöttkandt, Sigi. ‘Effectively Equivalent: Walter Pater, “Sebastian van Storck”, and the Ethics of Metaphor’. Nineteenth Century Literature 60.2 (2005): 163-198.

Kaiser, Matthew. ‘Pater’s Mouth’. Victorian Literature and Culture 39.1 (2011): 47-64.

Kanarakis, Yannis. ‘The Stoic Cosmopolitanism of Marius the Epicurean and Its               Historical Implications’. Pater Newsletter 55/56 (2009): 22-30.

Katz, Tamar. ‘”In the House and Garden of His Dream”: Pater’s Domestic Subject’. Modern Language Quarterly 56.2 (1995): 167-188.

Khalip, Jacques. ‘Pater’s Sadness’. Raritan: A Quarterly Review 20.2 (2000): 136-158.

Kjeldsen, Jette. ‘What Can the Aesthetic Movement Tell Us about Aesthetic Education?’ Journal of Aesthetic Education 35.1 (2001): 85-97.

Knoepflmacher, U. C. ‘Historicism as Fiction: Motion and Rest in the Stories of Walter Pater’. Modern Fiction Studies 9 (1963): 139-148.

Knoepflmacher, U. C. ‘Pater’s Religion of Sanity: Plato and Platonism as a Document of Victorian Unbelief’. Victorian Studies 6 (1962): 151-168.

Lambert-Charbonnier, Martine. ‘Pater’s Scholar and the Hypertext’. Cahiers Victoriens et Edouardiens 68 (2008): 47-61.

Lambert-Charbonnier, Martine. ‘Walter Pater, Simeon Solomon et Oscar Browning: L’Homosexualité’. Cahiers Victoriens et Edouardiens 55 (2002): 265-275.

Lambert-Charbonnier, Martine. ‘Entre la Terre et l’idéal, être exilé de “chez soi”. Etude de trois “Portraits imaginaires” de Walter Pater: “The Child in the House”, “Emerald Uthwart”, et Marius the Epicurean‘. Cahiers Victoriens et Edouardiens 51 (2000): 207-216.

Lankewish, Vincent A. ‘Walter Pater, Queer Aesthete: Now Playing at Your Local High School’. Pater Newsletter 52 (2007): 64-72.

Lankewish, Vincent A. ‘Love Among the Ruins: The Catacombs, the Closet, and the Victorian “Early Christian Novel”‘. Victorian Literature and Culture 28.2 (2000): 239-273.

Lankewish, Vincent A. ‘Victorian Architectures of Masculine Desire’. Nineteenth Century Studies 14 (2000): 93-119.

LeCourt, Sebastian. ‘”To surrender himself, in perfectly liberal inquiry”: Walter Pater, Many-Sidedness, and the Conversion Novel’. Victorian Studies 53:2 (2011): 231-253.

Leighton, Angela. ‘Pater’s Music’. Journal of Pre-Raphaelite Studies 14 (2005): 67-79.

Lenaghan, R. T. ‘Pattern in Walter Pater’s Fiction’. Studies in Philology 58 (1961): 69-91.

Levine, George. ‘Two Ways Not to Be a Solipsist: Art and Science, Pater and Pearson’. Victorian Studies 43.1 (2000): 7-41.

Losey, Jay B. ‘Pater’s Epiphanies and the Open Form’. South Central Review 6.4 (1989): 30-50.

Losey, Jay B. ‘Epiphany in Pater’s Portraits’. English Literature in Transition 29.3 (1986): 297-308.

Love, Heather. ‘Exemplary Ambivalence’. Pater Newsletter 52 (2007): 25-29.

Lyons, Richard S. ‘The “Complex, Many-Sided” Unity of the Renaissance“‘. SEL 12.4 (1972): 765-781.

Malley, Shawn. ‘Walter Pater’s Heroic Nostos: The Underworld Journey in The Renaissance‘. Nineteenth Century Prose 21.1 (1994): 1-16.

Mao, Douglas. ‘The Lack of Repose’. Common Knowledge 15.3 (2009): 412-437.

Matz, Jesse. ‘Walter Pater’s Literary Impression’. Modern Language Quarterly 56.4 (1995): 433-456.

Maxwell, Catherine. ‘Paterian Flair: Walter Pater and Scent’. Pater Newsletter 61/62 (2012): 21-42.

Mayer, Nicholas B. ‘Catalyzing Prufrock’. Journal of Modern Literature 34.3 (2011): 182-198.

McCraw, Harry W. ‘Walter Pater’s “Religious Phase”: The Riddle of Marius the Epicurean’. Southern Quarterly 10 (1972): 245-273.

Milhauser, Milton. ‘Walter Pater and the Flux’. Journal of Aesthetics and Art Criticism 11 (1953): 214-223.

Miller, Hillis J. ‘Walter Pater: A Partial Portrait’. Daedalus 105.1 (1976): 97-113.

Millet-Gérard, Dominique. ‘Augustinian Motives and Christian Presence in Marius the Epicurean by Walter Pater: “The Romance of the Soul”‘. Recherches Augustiniennes 24 (1989): 357-378.

Millet-Gérard, Dominique. ‘Symbolist Poetics of Psyche: Walter Pater as Reader, Translator and “Conductor” of Apuleius’s Tale’. Bulletin de l’Association Guillame Budé (1990): 48-71.

Monsman, Gerald. ‘The Platonic Eros of Walter Pater and Oscar Wilde: “Love’s Reflected Image” in the 1890s’. English Literature in Transition 1880-1920 45.1 (2002): 26-45.

Monsman, Gerald. ‘”Definite History and Dogmatic Interpretation”: The “White-Nights” of Pater’s Marius the Epicurean’. Criticism: A Quarterly for Literature and the Arts 26.2 (1984): 171-191.

Monsman, Gerald. ‘White Bird in the Marketplace: Animula Vagula, Anima Christiana’. English Literature in Transition 1880-1920 27.1 (1984): 41-51.

Monsman, Gerald. ‘Narrative Design in Pater’s Gaston de Latour‘. Victorian Studies 23 (1980): 347-367.

Monsman, Gerald. ‘Gaston de Latour and Pater’s Art of Autobiography’. Nineteenth-Century Fiction 33.4 (1979): 11-33.

Moran, Maureen. ‘Walter Pater’s House Beautiful and the Psychology of Self-Culture’. English Literature in Transition 1880-1920 50.3 (2007): 291-312.

Moran, Maureen. ‘Walter Pater and the Esoteric Sensibility’. Cahiers Victoriens et Edouardiens 49 (1999): 109-131.

Morgan, Benjamin. ‘Aesthetic Freedom: Walter Pater and the Politics of Autonomy’. ELH 77.3 (2010): 731-756.

Morgan, Thaïs. ‘Reimagining Masculinity in Victorian Criticism: Swinburne and Pater’. Victorian Studies 36.3 (1993): 315-332.

Murray, Alex. ‘Acquiescing into a Facile Orthodoxy? Wilde, Pater, and the Politics of Cultural Parallax’. Irish Studies Review 13.3 (2005): 325-332.

Nadel, Ira B. ‘Autobiography as Fiction: The Example of Pater’s Marius‘. English Literature in Transition 1880-1920 27.1 (1984): 34-40.

Nash, Jerry C. ”The Poet of One Poem”: Du Bellay, Walter Pater, and Modern Aesthetic Criticism’. Œuvres & Critiques 20.1 (1995): 113-119.

Natarajan, Uttara. ‘Pater and the Genealogy of Hardy’s Modernity’. SEL 46.4                  (2006): 849-861.

Newman, Beth. ‘Alice Meynell, Walter Pater, and Aestheticist Temporality’. Victorian Studies 53.3 (2011): 495-505.

O’Gorman, Francis. ‘”Fabulous and Illusive”: Giorgione and Henry James’s “The Aspern Papers”‘. Henry James Review 27.2 (2006): 175-187.

Ohi, Kevin. ‘The Queer Atavisms of Hippolytus’. Pater Newsletter 53 (2008): 13-22.

Østermark-Johansen, Lene. ‘Pater and the Painterly: Imaginary Portraits‘. English Literature in Transition 1880-1920 56.3 (2013): 343-354.

Østermark-Johansen, Lene. ‘”Don’t Forget Your Promise to Come Here Soon”:               Seven Unpublished Letters from Walter Pater to Oscar Browning’. Pater Newsletter 59/60 (2011): 17-31.

Østermark-Johansen, Lene. ‘Caught Between Gautier and Baudelaire: Walter Pater and the Death of Sculpture’. The Yearbook of English Studies 40.1/2 (2010): 180-195.

Østermark-Johansen, Lene. ‘Frieze: Getting Beneath the Surface of the Past in Aestheticist Painting and Literature’. Victorian Studies 52.1 (2010): 14-24.

Østermark-Johansen, Lene. ‘Relieving the Limitations of Sculpture and Text: Walter Pater’s della Robbia essay’. Word & Image 22.1 (2006): 27-38.

Østermark-Johansen, Lene. ‘The Death of Euphues: Euphuism and Decadence in Late-Victorian Literature’. English Literature in Transition 1880-1920 45.1 (2002): 4-25.

Østermark-Johansen, Lene. ‘Serpentine Rivers and Serpentine Thought: Flux and Movement in Walter Pater’s Leonardo Essay’. Victorian Literature and Culture 30.2 (2002): 455-482.

Overly, David. ‘Adapting Marius the Epicurean for the Stage’. Pater Newsletter 61/62 (2012): 62-69.

Palencik, Joseph. ‘Beauty in Simplicity: Walter Pater and Diaphaneitè’. Literature and Aesthetics: Journal of the Sydney Society of Literature and Aesthetics 16.1 (2006): 133-143.

Peters, Robert. ‘The Cult of the Returned Apollo: Walter Pater’s Renaissance and Imaginary Portraits‘. The Pre-Raphaelite Review 2.1 (1981): 53-69.

Picy, Jean-Baptiste. ‘Pater’s Poikilia-Auto-Références, métaphores et impressions dans Platon et le Platonism’. Cahiers Victoriens et Edouardiens 68 (2008): 135-154.

Potolsky, Matthew. ‘Decadence, Nationalism, and the Logic of Canon Formation’. Modern Language Quarterly 67.2 (2006): 213-244.

Potolsky, Matthew. ‘Fear of Falling: Walter Pater’s Marius the Epicurean as Dangerous Influence’. ELH 65.3 (1998): 701-729.

Poueymirou, Margaux. ‘Walter Pater’s Anders-Streben: As Theory and as Practice’. Cahiers Victoriens et Edouardiens 68 (2008): 63-85.

Rajan, Gita. ‘”Diaphaneitè” to Gaston de Latour: Walter Pater’s Arc of Anxiety’. A/B: Auto/Biography Studies 18.1 (2003): 62-84.

Richards, Bernard. ‘Special Collections Report: The Pater Collections in Oxford’. English Literature in Transition 1880-1920 27.2 (1984): 149-151.

Richards, Bernard. ‘Stopping the Press in Marius‘. English Literature in Transition 1880-1820 27.2 (1984): 90-99.

Riquelme, John Paul. ‘Oscar Wilde’s Aesthetic Gothic: Walter Pater, Dark Enlightenment, and The Picture of Dorian Gray‘. MFS: Modern Fiction Studies 46.3 (2000): 609-631.

Roberts, Gabriel. ‘”Analysis Leaves Off”: The Use and Abuse of Philosophy in Walter Pater’s Renaissance’. Cambridge Quarterly 37.4 (2008): 407-425.

Rosenblatt, Louise M. ‘The Genesis of Pater’s Marius the Epicurean‘. Comparative Literature 14.3 (1962): 242-260.

Rosenfeld, Natania. ‘Less Light: The End(s) of Aestheticism in Pater, Ondaatje, and Sebald’. Modernism/Modernity 13.2 (2006): 349-366.

Ryals, Clyde de L. ‘The Concept of Becoming in Marius the Epicurean‘. Nineteenth-Century Literature 43.2 (1988): 157-174.

Ryan, Michael. ‘Narcissus Autobiographer: Marius the Epicurean‘. ELH 43.2 (1976): 184-208.

Sadock, Geoffrey. ‘Dark Aesthete: Gothic Elements in the Fiction of Walter Pater’. Cahiers Victoriens et Edouardiens 69 (2009): 77-95.

Sadock, Geoffrey. ‘The Contemporary Critical Reception of Walter Pater: Retrospective and Proleptical Views’. Cahiers Victoriens et Edouardiens 68 (2008): 23-45.

Salha, Agathe. ‘Discours Critique et Fiction Biographique Dans Les Portraits                 Imaginaires de Pater et les Vies Imaginaires de Schwob’. Recherches et Travaux 68 (2007): 29-39.

Savoy, Eric. ‘Hypocrite Lecteur: Walter Pater, Henry James, and Homotextual Politics’. Dalhousie Review 72.1 (1992): 12-36.

Schmiefsky, Marvel. ‘A Study in Aesthetic Relativism: Pater’s Poetics’. Victorian Poetry 6 (1968): 105-124.

Schroeder, Natalie. ‘Pater’s Imaginary Portraits: Love and Paterian Melancholy’. Cahiers Victoriens et Edouardiens 16 (1982): 147-155.

Schuetz, Lawrence F. ‘The Suppressed “Conclusion” to the Renaissance and Walter Pater’s Modern Image’. English Literature in Transition 1880-1920 17 (1974): 251-258.

Schuetz, Lawrence F. ‘Pater’s Marius: The Temple of God and the Palace of Art’. English Literature in Transition 1880-1920 15 (1972): 1-19.

Scott, Nathan A. ‘Pater’s Imperative: To Dwell Poetically’. New Literary History 15.1 (1983): 93-118.

Siegel, Jonah. ‘Leonardo, Pater, and the Challenge of Attribution’. Raritan: A Quarterly Review 21.3 (2002): 159-187.

Seiler, R. M. ‘Editing Walter Pater’. Prose Studies 4.1 (1981): 78-80.

Shrimpton, Nicholas. ‘Bradley and the Aesthetes’. Essays in Criticism 55.4 (2005): 309-331.

Shrimpton, Nicholas. ‘Pater and the “aesthetical sect”‘. Comparative Criticism 17 (1995): 61-84.

Shuter, William. ‘Pater, Wilde, Douglas, and the Impact of “Greats”‘. English Literature in Transition 1880-1920 46.3 (2003): 250-278.

Shuter, William. ‘Pater, Overbeck, and Gerhard’. Pater Newsletter 45 (2002): 11-21.

Shuter, William. ‘Pater’s “Grudge Against Apollo”: Mythology and Pathology in “Apollo in Picady”‘. English Literature in Transition 1880-1920 44.2 (2001) 181-198.

Shuter, William. ‘The “Outing” of Walter Pater’. Nineteenth Century Literature 48.4 (1994): 480-506.

Shuter, William. ‘The Arrested Narrative of “Emerald Uthwart”‘. Nineteenth Century Literature 45.1 (1990): 1-25.

Shuter, William. ‘Pater’s Reshuffled Text’. Nineteenth Century Literature 43.4 (1989): 500-525.

Shuter, William. ‘Pater as Don’. Prose Studies 11.1 (1988): 41-60.

Shuter, William. ‘Walter Pater and the Academy’s Dubious Name’. Victorians Institute Journal 16 (1988): 129-147.

Shuter, William. ‘Pater on Plato: “Subjective” or “Sound”?’ Prose Studies 5.2 (1982): 215-228.

Shuter, William. ‘History as Palingenesis in Pater and Hegel’. PMLA 86.3 (1971): 411-421.

Simpson, Juliet. ‘Bourget’s Oxford Aesthetes: Towards Decadent Cosmopolitanism’. Comparative Critical Studies 10.2 (2013): 183-197.

Small, Ian. ‘Intertextuality in Pater and Wilde’. Literature in Transition 1880-1920 4 (1990): 57-66.

Small, Ian. ‘The “Fictional” and the “Real” in Marius‘. English Literature in Transition 1880-1920: 27.2 (1984): 140-148.

Small, Ian. ‘Pater’s Criticism: Some Distinctions’. Prose Studies 4.1 (1981): 31-38.

Small, Ian. ‘The Vocabulary of Pater’s Criticism and the Psychology of Aesthetics’. British Journal of Aesthetics 18 (1978): 81-87.

Small, Ian, and Schuetz, Lawrence F. ‘Pater and the Suppressed “Conclusion” to the Renaissance: Comment and Reply’. English Literature in Transition 1880-1920 19 (1976): 313-321.

Small, Ian. ‘Plato and Pater: Fin de Siècle Aesthetics’. British Journal of Aesthetics 12 (1972): 369-383.

Stauder, Ellen Keck. ‘Aspiring Toward the Condition of Music: Pater’s Revisionary Reading of Hegel in “The School of Giorgione”‘. Nineteenth-Century Contexts 19.1 (1995): 1-17.

Straub, Julia. ‘”Diaphaneitè” and Dante: A New Perspective on Pater’s Early Essay’. Cahiers Victoriens et Edouardiens 68 (2008): 105-122.

Taylor, Benjamin. ‘Walter Pater’s Eucharist’. Raritan 5 (1985): 67-88.

Townley, Sarah. ‘Vernon Lee and Elitism: Redefining British Aestheticism’. English Literature in Transition 54.4 (2011): 523-538.

Tseng, Jui-Hua. ‘Walter Pater, the Stephens, and Virginia Woolf’s Mysticism’. Concentric: Literary and Cultural Studies 30.1 (2004): 203-226.

Turner, Paul. ‘Pater and Apuleius’. Victorian Studies 3 (1960): 290-296.

Uemura, Morito. ‘”Diaphaneitè: Pater’s Enigmatic Term’. Cahiers Victoriens et Edouardiens 68 (2008): 123-131.

Vogeler, Martha Salmon. ‘The Religious Meaning of Marius the Epicurean‘. Nineteenth Century Fiction 19.3 (1964): 287-299.

Wallen, Jeffrey. ‘Alive in the Grave: Walter Pater’s Renaissance’. ELH 66.4 (1999): 1033-1051.

Wallen, Jeffrey. ‘Reflection or Self-Reflection: Narcissistic or Aesthetic Criticism’. Texas Studies in Literature and Language 34.3 (1992): 301-322.

Wellek, René. ‘Walter Pater’s Literary Theory and Criticism’. Victorian Studies 1 (1957): 29-46.

Wendling, Ronald C. ‘Pater, Coleridge, and the Return of the Platonic’. Wordsworth Circle 30.2 (1999): 94-99.

West, Paul. ‘Pater and the Tribulations of Taste’. University of Toronto Quarterly 24 (1958): 424-432.

Whiteley, Giles. ‘Pater’s Parerga: Framing the Imaginary Portraits’. Victoriographies 3.2 (2013): 119-135.

Williams, Carolyn. ‘On Pater’s Late Style’. Nineteenth Century Prose 24.2 (1997): 143-158.

Williams, Carolyn. ‘Typology as Narrative Form: The Temporal Logic of Marius‘. English Literature in Transition (1880-1920) 27.1 (1984): 11-33.

Williams, Carolyn. ‘Pater in the 1880s: Experiments in Genre’. The Journal of Pre-Raphaelite Studies 4.1 (1983): 39-51.

Wollheim, Richard. ‘”Walter Pater: From Philosophy to Art”‘. Comparative Criticism 17 (1995): 21-40.

Wood, Naomi. ‘Creating the Sensual Child: Paterian Aesthetics, Pederasty, and Oscar Wilde’s Fairy Tales’. Marvels & Tales: Journal of Fairy Tale Studies 16.2 (2002): 156-170.

Zietlow, Paul. ‘Pater’s Impressionism Reconsidered’. ELH 44.1 (1977): 150-170.